ADRIANE MORARD

Front cover of the book Voyager l'Invisible on a white surface. A blue panel holds a loose white line drawing of circular, scribbled forms. Below: the title, the subtitle "Vingt-trois séances de dessin en état de transe avec le Protocole de la Boussole," and the names Adriane Morard, Martin Vernier, with a preface by Pierre Constantin.

voyager l’invisible

Close, angled view of the Voyager l'Invisible cover. White scribbled line drawing on a blue ground, with the title, subtitle and author names in the lower left corner.
Voyager l’Invisible, 2026. Cover detail: a trance drawing from the cycle.

Voyager l’Invisible gathers a cycle of twenty-three guided drawing sessions conducted in auto-induced trance states with archaeologist Martin Vernier. Working from a protocol of her own design, the Boussole Protocol, Adriane Morard led each session, transcribed the drawings, wrote the introduction and designed the book, including a mirror layout used as an artistic device.

Front cover of the book Voyager l'Invisible on a white surface. A blue panel holds a loose white line drawing of circular, scribbled forms. Below: the title, the subtitle "Vingt-trois séances de dessin en état de transe avec le Protocole de la Boussole," and the names Adriane Morard, Martin Vernier, with a preface by Pierre Constantin.
oyager l’Invisible, 2026. Artist’s book, self-published with ISBN. Front cover.
Back cover of the book Voyager l'Invisible, blue with white text. A compass-rose emblem labelled "La Plateforme" sits at the top right, with blocks of French text below and a barcode in the lower right corner.
oyager l’Invisible, 2026. Back cover, with the compass-rose emblem of La Plateforme.
A hand turns the pages of the open book. The left page shows a circular diagram of small icons arranged in a spiral, the right page is headed "Introduction" with French text below.
Voyager l’Invisible, 2026. Interior spread: the Boussole diagram facing the introduction.
Close, angled view of the book's blue back cover. The title and subtitle run along the top, a compass-rose emblem labelled "La Plateforme" sits at the right, and a block of French text fills the lower half.
Voyager l’Invisible, 2026. Back cover detail.

The project is intersectoral, crossing visual arts, literature and the human sciences, and draws on Henri Corbin’s notion of the imaginal: a real that is neither pure idea nor material fact, reached through the disciplined exercise of the imagination.

Full project and reading at voyagerlinvisible.net

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